Présentation de l'éditeur:

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days.

A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph--but also its darker side. What did it mean when the axle broke under Julius Caesar's chariot? Or when Pompey's elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general's show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and "victory" in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.

Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture--and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes "history."

Sara Phang explores the ideals and realities of Roman military discipline, which regulated the behaviour of soldiers in combat and their punishment, as well as economic aspects of their service, including compensation and other benefits, work, and consumption. This thematically organised study analyses these aspects of discipline, using both literary and documentary sources. Phang emphasises social and cultural conflicts in the Roman army. Contrary to the impression that Roman emperors ‘bought’ their soldiers and indulged them, discipline restrained such behaviour and legitimised and stabilised the imperial power. Phang argues that emperors and aristocratic commanders gained prestige from imposing discipline, while displaying leadership in person and a willingness to compromise with a restive soldiery.

• The first accessible study of Roman military discipline in English • Presents a social and cultural history of the Roman Army • Emphasises the challenges faced by Roman leadership

Contents

1. Theorizing discipline: social conflict, legitimation, and power; 2. Combat training and discipline; 3. Viri militares: habitus and discipline; 4. Disciplina and punishment; 5. Disciplining wealth: the ideologies of stipendia and donativa; 6. Labor militaris: work as discipline; 7. Feasts of mass destruction: disciplina and austerity.

More than two millennia have passed since Brutus and his companions murdered Julius Caesar—and inaugurated his legend. Though the assassins succeeded in ending Caesar’s dictatorship, they could never have imagined that his power and influence would only grow after his death, reaching mythic proportions and establishing him as one of the central icons of Western culture, fascinating armchair historians and specialists alike.

With Caesar, Maria Wyke takes up the question of just why Julius Caesar has become such an exalted figure when most of his fellow Romans have long been forgotten. Focusing on key events in Caesar’s life, she begins with accounts from ancient sources, then traces the ways in which his legend has been adapted and employed by everyone from Machiavelli to Madison Avenue, Shakespeare to George Bernard Shaw. Napoleon and Mussolini, for example, cited Caesar’s crossing of the Rubicon in defense of their own dictatorial aims, while John Wilkes Booth fancied himself a new Brutus, ridding America of an imperial scourge. Caesar’s personal life, too, has long been fair game—but the lessons we draw from it have changed: Suetonius derided Caesar for his lustfulness and his love of luxury, but these days he and his lover Cleopatra serve as the very embodiment of glamour, enticingly invoked everywhere from Caesars Palace in Las Vegas to the hit HBO series Rome.

Caesar is the witty and perceptive work of a writer who is as comfortable with the implications of Xena: Warrior Princess as with the long shadow cast by the Annals of Tacitus. Wyke gives us a Caesar for our own time: complicated, hotly contested, and perpetually, fascinatingly renewed.